Horror, Come Darkness

September 20, 2009

A new exhibition I’m showing in at the Macquarie University Art Gallery;

Horror invitation1Horror invitation2

Dates: From Thursday 24 September to Wednesday 11 November 2009

Curators: Rhonda Davis & John Potts
Artists:
    Effy Alexakis
    Fabian Astore
    Liam Benson
    Drew Bickford
    Stephen Birch
    Andrew Browne
    Penny Byrne
    Matt Coyle
    Mark Davis
    Christopher Hanrahan
    Louise Hearman
    Sam Leach
    Alasdair Macintyre
    VR Morrison
    Alex Proyas
    Scanner
    Darren Sylvester
    Tim Silver
    Jelena Telencki
    Monika Tichacek
    Pete Volich

    Horror, Come Darkness explores the genre of horror as an emotional state for its encapsulating effects of fear, suspense and the irrational – where the manifestation of darkness can transform reality into the threatening, the unfamiliar, the unknown and the unknowable. Tormented creatures, monsters, spectral beings, the living dead camouflaged within nocturnal landscapes all recall an indeterminate evil that looms just under the surface of existence.

    Horror, Come Darkness will feature contemporary artists using cinematic effects, literary sources and technological visualisation, painting, stills, installation, and video and sound devices, for effecting the simulation of horror.

    Linked to popular culture, horror has become – for many – the ultimate adrenalin rush. Inducing mind-altering states, the spectacle of horror manifests itself as a means of escapism from the everyday.

    Horror, Come Darkness will create a psychological drama with a number of works that encompass theatrical atmospheric lighting and sound effects – a world inhabited by the detritus, lonely bushland, marshes, tunnels, chambers, isolated highways, graveyards, abandoned buildings, immersing the spectator from within.


    Video Portfolio Design

    August 12, 2009

    A video portfolio or show reel as they used to be called is an important way to introduce your capabilities to prospective clients. It should reflect both the qualities you want to project as well as the skills you posses as a media producer.

    The principles of visual design covered by both Alyssa and Brigid in their presentations are equally valid when considering how you will present your video work in a DVD or online context.

    2654401569_bf29db099a_t

    The first question to ask your self is, what is the most effective and efficient way to get potential employers to see your work?

    I came across this little take as an answer to this question;

    Looking for a Creative Job? Throw Away the Resume

    It is so much easier for both of us if you can send a link through an email or iChat that leads us to your work rather than physically mail us a DVD and a resume. Your best bet for getting a job? Make it easy for us to see your great work.

    I don’t quite agree with the conclusion that a DVD show reel is a waste of time as it may be the only way to give a detailed view of your work.

    So this is your starting point. Considering what is the best medium to showcase your talents and what kinds of content are best suited to the medium you are working in, whether its online or DVD.

    DVD or online portfolio?

    In my experience both are worthwhile and can serve different purposes. In general people who spend a great deal of time online will be more inclined to click on a link taking them directly to your site. Keeping them there long enough to view the work is another matter. The obvious downside is slow network speed if your site is video heavy and should be a primary concern if you are relying entirely on an online portfolio. Few people will hang around if your videos are taking forever to download. A major advantage though is that your content can be updated instantly and when ever necessary.

    Using online video services such as youTube or Vimeo is fine for showing work to your friends but can be slow and are generally not enough if you want to be taken seriously as a media producer. A coherent and well presented online portfolio containing a showcase of your skills will say much more about who you are and how serious you are about your work.

    Where to start?

    The Online Portfolio

    The best place to start is by looking at examples of portfolios to begin to form ideas of the style and content that will best suit your individual approach.

    gKaster screen shot

    gKaster screen shot

    A recent favourite is the showcase for gKaster. The aesthetic choices made by the site designers reflect perfectly the style this production house employ in their work. The end result “feels” cohesive and uniform and the viewer is left with a strong impression of the kind of work they would get from these producers. An important thing to note also is that although they clearly employ very talented designers the site is well laid out and easy to navigate, they haven’t tried to use navigational tricks to look different. The essence is to show case the work and the site design and architecture should facilitate this.

    Tahl Niran showreel

    Tahl Niran showreel

    Tahl Niran is a video effects producer and has taken a very simple approach to showcasing some of his work online. The site contains just basic contact information and a download of a traditional linear video clip showing samples of his work.

    Here is a sample listing of some up to date design styles worth looking at to get some ideas;

    30 Fresh and Inspirational Portfolios With A Twist

    Blu art portfolio (Courtesy of EMPA newsletter)

    The Barbarian Group

    Here are some valuable suggestions to consider before diving in and building that killer portfolio;

    Seven Rules for Building Online Portfolios

    Build a Killer Online Portfolio in 9 Easy Steps

    Of course not everyone has the necessary skills to put together a wonderful online showcase. From that point of view a DVD is easier to build and there are a lot less compatibility and technical issues to deal with.

    An interim alternative to getting a quick online presence may be to try a service such a Wix.com which provide the facility to build and host your own online portfolio for free.  In choosing such a service make sure that the templates they provide are very customizable and there is little or no intrusive advertising pop-ups etc. Relying on a template provider is not recommended long term though, especially if you are wanting to establish yourself as a  freelancer.

    DVD portfolio

    A DVD can serve two important functions. It gives the ability to include high quality full screen video content that is instantly accessible as opposed to slow to download heavily pixelated  small screen videos. (Be aware though that compression techniques and download speeds are improving all the time)

    As DVD and increasingly Blu-ray are still important means for delivering high quality video content, the ability to put together a well designed ad structured disk is an important skill to posses and if you have one of your work to give out it will not be lost on potential employers or clients. Of course they are still portable and so can be viewed on the road or at home and makes a nice impression when handing over a well packed DVD that can be kept for future reference.

    Always remember though that few beyond family and friends will make the time to sit down to watch long videos. A show reel is essential a highlights package of the work you have done to that point in time. The idea is to carefully select segments of work that reflect your range of skills and to put them together in a creative and compelling way that will maintain interest whilst also displaying how wonderful a video producer you are!

    DVD/Site Structure

    DVD menu structure

    DVD menu structure

    Apart from the overall design and content of your portfolio the most important feature is the organisation of information. If content is difficult to find or poorly organised a viewer is likely to get frustrated very quickly and not bother at all. The onus is on you as the one wanting to present your material to make it as accessible as possible. Planning your site or disk layout is an essential part of ensuring that the viewer feels they are able to effortlessly navigate through your content without feeling like they have had to decode a cryptic map!


    Pleasantville colour effect in AfterEffects

    May 26, 2009

    In this 2 minute video tip, check out how to use After Effects’ Leave Color effect to create the look where you footage is made black and white, leaving only a single color, made popular by the film Pleasantville. http://www.motionworks.com.au/2008/04/leave_color/


    FinalCut Tutorials on youTube

    April 28, 2009

    Here’s a great little collection of video tutorials on youTube covering basic techniques in FinalCut Pro


    AfterEffects Tutorials

    April 25, 2009

    Here are some more online afterEffects tutorials, these are at an intermediate level and well worth going through;

    1. Video wall: This tutorial covers how to create a video wall but the techniques covered will help you learn about using the “camera” layer and 3D space we looked at this week. Download the AE composition. You will need to download the Trapcode Shine plug-in to complete the tutorial. Trapcode make a great set of pug-ins so you might want to check them out, especially Particular.

    2. Creating light streaks: light streaks as per  iPod commercials also using Particular. Download the AE composition.

    3. I’ve also placed the materials for the motion tracking example we worked through in class this week in the Media_Stu/mdcm3002_09/video folder so have a go and see if you can make sense of the techniques we covered.


    Is your lounge killing you?

    April 12, 2009

    Revenge of the lounge

    Marion St Condell Park 12/04/09

    Marion St Condell Park 12/04/09


    Project proposals

    April 5, 2009

    Alyssa has posted instructions for handing in your proposals this Thursday. Details are @ http://mdcm3002.newsouthblogs.org/2009/04/03/handing-in-your-project-proposal/
    The only variation to this for our classes is that rather than handing in a printed version, I would prefer everyone hand in a CD containing the PDF of your proposal plus any media files you are submitting as supporting test material.

    Also a guide of what to include in your proposals http://mdcm3002.newsouthblogs.org/2009/03/23/project-proposal-guide/
    I mentioned in class that your story board doesn’t have to be done by sketches, you could use photo stills or mock up stills done in photoshop.
    Whilst a script is not necessary as part of the proposal it can be attached as an appendix if you have one. Funding bodies will not read anything they don’t have to but if your idea is strong enough then its always good to show you have done the work to back it up.


    Setting Up a Project in Final Cut 6

    April 1, 2009

    Setting Up a Project in Final Cut 6

    This is a good outline of how to set up your project correctly in Final Cut. Just remember to substitute PAL formats where ever NTSC is used.


    Ken Stone’s finalCut site

    March 30, 2009

    Mat is posting some great stuff as usual over at the mdcm2002 blog and he’s remimnded me of Ken Stone’s great finalCut site and especially this useful article on the language of film by Michael Wohl.


    finalCut/AfterEffects/motion graphics references (online): Part 2

    March 30, 2009

    Here is a list of After Effects resources from the Creative COW website:

    More useful online resources;