Welcome to MDCM3002 Video Production!
This is where we’ll be posting course notes, links, discussions, works-in-progress, final videos and all kinds of other stuff that will help you in your learning experience.
The course outline is available here
Welcome to MDCM3002 Video Production!
This is where we’ll be posting course notes, links, discussions, works-in-progress, final videos and all kinds of other stuff that will help you in your learning experience.
The course outline is available here
Mat is posting some great stuff as usual over at the mdcm2002 blog and he’s remimnded me of Ken Stone’s great finalCut site and especially this useful article on the language of film by Michael Wohl.
Setting Up a Project in Final Cut 6
This is a good outline of how to set up your project correctly in Final Cut. Just remember to substitute PAL formats where ever NTSC is used.
Here’s a great little collection of video tutorials on youTube covering basic techniques in FinalCut Pro
Greyscale Gorilla has an interesting take on finding a job and not that far from the truth.
The original brief outline for The Lounge is intentionally broad to encourage you to take what might be a simple notion and then work with it to develop a substantial and nuanced concept that will serve as the basis for your video project. The emphasis is on learning to develop a process that will help you examine your ideas, pull them apart and then reassemble them in ways that are outside of your habitual ways of thinking and working.
Use this space to post your ideas and comments on The Lounge.
This is an example I’ve made of a video mixing photographic material with live video footage. I was given a pile of shaky hand held video and stills and told to make something with it, so I got to work in After Effects. The style is vaguely reminiscent of a diorama.
This is a list of some work produced by previous mdcm3002 students;
Collusion by Essy Knopf
Heartland by Essy Knopf
Hired Help by Kevin Sarkin
Molly the mouse by Adam Bourke
What are ya buyin? by Jack Ngu
Dirt Bag by John Bogiatzis
What makes men blush? by Emma Maye Gibson
Recommended Texts: (Most of these should be available in the Library)
Damian Allen, Motion: Revolutionary Motion Graphics, Apple Pro Training Series, 2005.
Kevin Monahan, Motion graphics and effects in Final Cut Pro, Berkeley, Peachpit Press, 2004.
David Greene, How did they do That?, Gloucester, Mass. Rockport Publisher, 2003.
Jeff Bellantoni and Matt Woolman, Type in motion: innovations in digital graphics, London, Thames & Hudson, 2000.
Matt Woolman, Motion design : moving graphics for television, music video, cinema, and digital interfaces, Mies, Switzerland, RotoVision, 2004.
Steve Curran, Motion graphics: graphic design for broadcast and film, Gloucester, Rockport Publishers, 2000.
Weynand D, (2007) Final Cut Pro 6: Professional Editing in Final Cut Studio 2 (Apple Pro Training Series) Berkeley, CA: Peachpit Press
Brenneis L, (2004) Final Cut Pro HD For Mac OSX (Visual QuickPro Guide) Berkeley, CA: Peachpit Press
Sitter M, (2004) DVD Studio Pro 3 for Mac OS X (Visual QuickPro Guide) Berkeley, CA: Peachpit Press
Ramseier A and Sitter M, (2005) DVD Studio Pro 3: Editing Professional DVDs (Apple Pro Training Series) Berkeley, CA: Peachpit Press
4-6pm Wednesday, Webster Bld, Room 136C
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Week 1 March 11
Introduction
Looking at samples, begin thinking about your project. Module overview, software and equipment tools.
Week 2 March 18
Sketch Presentations + Camera Skills Workshop
Hands on camera workshop; white balance, menus, exposure, framing, composition, tripod, hand held, shooting for the edit.
Week 3 March 25
Introduction to Final Cut Pro
Editing and time line operations, work flow, basic project and data management.
Week 4 April 1
Video Editing in Final Cut Pro Cont.
Editing to build a sequence of shots, adding transitions, Audio
Week 5 April 8
Final Cut Pro – Special FX
Using filters, titling, exporting video.
Project Proposal Due
EASTER 10th-19th April, 2009
Week 6 April 22
Introduction to Compositing and Effects
Working with multiple layers of video, adding effects
Week 7 April 29
Audio Tools for video
Working with Soundtrack Pro, audio formats
Week 8 May 6
DVD Studio Pro – Authoring
DVD Studio Pro interface, preferences and tools, video codecs and compression.
Week 9 May 13
Proof of Concept Presentations
+ Developing motion menus for your DVD
* Sign up for a project consultation time for 20th May
Proof of concept due
Week 10 May 20
Project Consultations
This week there will be scheduled one-to-one consultations.
Week 11 May 27
Tailor-made class
This class will cover any project specific issues uncovered during the project consultations.
Week 12 June 3
Final Project Refining
Bring your final draft and any problems you may have along to class.
Final Project Delivery
Monday 22nd June